Shootout

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Sydney Pollack Remembered

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Memoirs can be an exercise in catharsis or an attempt to take some kind of revenge. Whatever the motivation, for a memoir to resonate with readers, it has to grant fans some kind of access says Shootout co-host Peter Guber. Guber cites Marlon Brando's Brando: Songs My Mother Taught Me as a prime example: Both his madness and his brilliance were on display and "he really let folks into himself in his autobiography."

Shootout co-host Peter Bart wonders what tone Sydney Pollack, who passed away on May 26, would have taken if he'd gotten around to his memoirs. "He was a very compelling, but also somewhat tortured guy. He had a tough time making decisions about his pictures," Bart says. Adds Guber, "He had an interesting life, a life worth writing about. He had great relationships, deep relationships, interesting relationships," with legends like Robert Redford, Paul Newman and Barbra Streisand, among others. Often dismissed as merely a mainstream director, Pollack was the ultimate actor's director who "liked to take actors and frame extraordinary movies around them, like Out of Africa," Bart argues. "He is the quintessential American filmmaker," Guber says. "He decided to make films that came from his heart that he wanted to connect with the audience's heart."

Pollack could be disarmingly candid about his failures, including his remake of Sabrina. "I got bit bad by the remake I did. That was the dumbest thing I've ever done in my life probably," Pollack said in a clip from a Shootout interview. He also did his best to get close to other great directors and observe them, taking acting roles when they were offered. "Directors don't get a chance to watch other directors work," he said on Shootout. "You're always, as a director, saying I wonder if that's how [Steven] Soderbergh does it or I wonder if that's how [Martin] Scorsese does it... So I get an offer from Woody Allen, I get an offer from Stanley Kubrick, I get an offer from Bob Altman, I get an offer from whatever and I'm going to do it and I never leave the set. I get on that set and just watch them all the time."

As an autobiographer, Shootout guest Debra Winger disclosed little about her personal life, prompting Bart to comment that "often people who write memoirs reveal a lot about themselves in what they don't say as well as what they do say." The title of her memoir Undiscovered -- to be published next month -- reflects her mindset when she was very young, "What I felt about life, that it was really undiscovered for me. I was just waiting to get out in it," she explains.

The three-time Oscar nominee believes that acting is "not a choice. You have to do it or you'll die... But if you had a choice, why would you choose that? What possible reason?" It was never a conscious choice for her, just something she had to do, she says.

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Filed under: Shootout News & Opinion
Tags: debra winger, sydney pollack

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By the time I knew who Sidney Pollack was, turns out two of my favorite movies were directed by him. Three Days of Condor is one and the other is 1969's Castle Keep. Castle is a wonderful, quirky, cerebal
WWII movie best described as a black comedy.
The cast Pollack had was superb - Burt Lancaster,
Peter Falk, Michael Conrad, Bruce Dern, Tony Bill,
and Scott Wilson.

Once I knew who Pollack was I was hooked as fan of his work.

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In trying to choose my favorite film I find myself thinking back to the films and remembering what they meant to me at the time I saw them. This Property is Condemned (1966) made an impression on me but They Shoot Horses, Don’t They? in 1969 blew me away. It’s an incredibly depressing movie but it’s very powerful. Jeremiah Johnson (1972) is a great western. It is a quiet movie, not much talk, and has beautiful scenery. Three Days of the Condor (1975) is one of my favorite political thrillers. I always thought Redford’s job as a reader for the CIA would be the perfect job for me! This one’s as good today as it was when it was made. Tootsie (1982) is just plain fun and Out of Africa (1985) is a terrific love story. The Firm (1993) is one of the best of all the John Grisham books-made-into-movies and watching The Interpreter (2005) felt like a return to the films of the 70’s. I loved them all! As an actor I thought Sydney Pollack was outstanding in Woody Allen’s Husbands and Wives (1992) and equally good in the smaller role in Stanley Kubrick’s Eyes Wide Shut (1999). He is one man who if he was connected to a movie in any way, I wanted to see the film. I have checked out his Sketches of Frank Gehry (2005) and I can’t wait to go home and watch it!

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