Shootout

Film Guests, News and Discussion

If Studio Owners Don't Care About Movies, What Happens Next?

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Hollywood is in the middle of another contract negotiation that could bring movie and show production to a halt again if it goes awry. On the one side are Hollywood actors, represented by the Screen Actors Guild; on the other side is management -- represented ultimately by the titans of industry who own the studios, such as GE Chairman and CEO Jeffrey Immelt.

Hollywood actors and SAG passionately care about the deal they will strike.  But is anyone listening on the management side of the negotiating table?  It may be that for the titans of industry, the immediate fate of the movie business is not a top concern.  Then what happens?

"This is the opposite of 1920 when there was too much [management] attention on movies -- now there's no attention at all," says Shootout co-host Peter Bart.

[Photo by Richard Young / Rex USA, courtesy Everett Collection. Rupert Murdoch, Keith Urban and Nicole Kidman 79th Annual Academy Awards Vanity Fair Party, Los Angeles. Feb 25, 2007.]

"You see a certain ineptitude on the part of management," says Bart. "The actors are here and voicing their demands but you get the feeling management is a little spread out and disorganized."

Unlike years past, when the studios were standalone businesses, they are now part of larger conglomerates with diverse and varied interests that go far beyond movies. NBC Universal, for example, is part of General Electric, which makes nuclear reactors, hospital scrubs, jet engines and waffle makers.  Sony Pictures is part of Sony, headed by Howard Stringer.  His concerns are as much technology as content: Sony is the developer of DVD, CD and Blu-Ray technologies.

"These folks have different agendas than just worrying about how some actors might want to vote," says Shootout co-host Peter Guber (who also used to head Sony Pictures).

Other industry titans include Sumner Redstone, whose Viacom and CBS companies are in a diverse set of media businesses, and Rupert Murdoch whose News Corp, besides films and tv production, is involved in newspapers, magazines, satellites, cable TV and MySpace.   Murdoch, says Bart, "is interested in power. That's what motivates him, and Sumner? He's interested in more power." 

Guber notes, "None of these people are that interested in the movie business which is evidenced by -- not only are they not too prepared in terms of negotiations -- they don't really care that much..."

Besides the studio-owners having other and larger financial interests outside movies, Guber explains that each new movie is like starting up a brand new business and taking on all the risks that entails.  Studio owners may be more interested in businesses that have more continuity, and this includes even internet concerns like MySpace.  News Corp purchased it for $500 million and it's "now worth $10 billion, " according to Guber. "That's better than any movie."

Do Hollywood corporate chiefs care enough about the movies?  Comments open below. 

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Filed under: Shootout News & Opinion
Tags: cbs, howard stringer, nbc universal, news corp, rupert murdoch, sag, studios, viacom

Comments

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Absolutely, Hollywood is consistenly rushing films into production, or simply optioning foreign films or older films to be remade without closely analazing what made the original film a success and simply rushing into production. The key to a good film is
#1 - script,plot
#2- acting

Without the good script they shouldnt even bother.making the film in my opinion.
I think Hollywood should stop optioning films to be remade or rehash old movies, and try to create new material, it is art

Studio owners should hiring producers that will create or find profitable material by creating something ORIGINAL. I think that producers these days dont even read the scripts before green lighting them and they SHOULD, because the viewers are consistenly becoming more aware of copycats and bad dialogue and these things can easily easily be avoided by simply reading the script, but a studio head needs to know how to sift out the bad out of a script before its accepted. DO they even read the scripts? 1 profitable film out of 10 is simply horrible. Even though im sure the studios recoup most of the film no matter how bad with foreign sales its simply doesnt make sense that we see such a roll out of bad films every year.

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