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2. The Long Goodbye (1973)
Robert Altman's specialty was subverting quintessentially American film styles to expose their artifice and discover new possibilities in old formulas. In his adaptation of Raymond Chandler's The Long Goodbye, he cast Elliot Gould as a sarcastic, flummoxed, cat-attacked version of archetypal private eye Philip Marlowe. Result: Film noir turned inside out.
The Long Goodbye, Elliott Gould, Nina Van Pallandt 1973. Photo courtesy of the Everett Collection.










