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8. Memento (2000)
Using Guy Pearce's short-term memory loss as a narrative device, Memento director Christopher Nolan plays with time to create a disorienting, alinear tale of murder and revenge in which the beginning is the end is the beginning. Noir had always contained complex, labyrinthine plots; Memento takes it to the next level.
Memento, Carrie-Anne Moss, Guy Pearce, 2000. Photo courtesy of the Everett Collection.











