Has Hollywood Hijacked Comic-Con?

The fact that this week's episode of Shootout is coming to you from the San Diego Comic-Con shows just how much the annual convention has grown. There were no TV shows interviewing movie stars at the original event in 1970; nor was there any discussion among the 300 comic book aficionados in attendance about whether or not their gathering in a hotel basement was too commercial. Times have changed: What was once an intimate geek gathering is now a marketing phenomenon drawing crowds around 130,000.
"It's turned into a maelstrom of activity with studios and games and videos and Internet and every kind of media possible," says Shootout co-host, Peter Guber, standing next to Darth Vader, a stormtrooper, and co-host Peter Bart. "Would you believe all of this started in an underground garage with kids talking about comic books and how much they loved them?" says Bart.
Watching a fan dressed as Spider-man wait in line to get a comic book artist's autograph is a reminder of the Con's roots. Watching others wait in line to buy a pair of Zissou sneakers like those worn in The Life Aquatic with Steve Zissou -- not so much. And why would the stars of Pineapple Express be promoting their film at the Con? "Cause Sony sent us here and because I like comic books," explains Seth Rogen. The actor has also been cast as the future Green Hornet so maybe his attendance isn't that much of a stretch. Rogen adds, "We definitely represented the nerd in a lot of our movies and if there's one thing that's here, it's that."
Bart sees the tremendous growth and Hollywood's involvement as a good thing. "The Comic-Conners are downright orgasmic when they round a corner only to confront a Seth Rogen or Mark Wahlberg. Or when they spy a studio executive hanging out to find out what's hip. The dweebs then feel hip!" he wrote on his Variety blog. But not everyone agrees. One reader noted that "Bart writing about SDCC is a sure sign that the event has jumped the shark." Guber also has concerns that it's original spirit has been hijacked by big companies fighting for the crowd's attention, "It just seems to be now the place to be to promote things," he says.
Don't expect that to change anytime soon. Given the success of Iron Man and The Dark Knight, it's no surprise that there are currently 42 comic book and superhero movies in production. You can expect to see those at future conventions. "The greatest thing about it is you have all the fans here," explains comic legend Stan Lee. "When you screen something here that the fans see and like, before you know it, it's on every blog in the Internet."
What do you think? Is bigger better? Is Hollywood exploiting this market or are Comic-Conners getting exactly what they want? Comments below.










I think the question is easily answered by looking at their guest list:
http://www.comic-con.org/cci/cci_guests.shtml
not to mention all the comics related programming.
Hollywood is great, but really, they're a small part of the programming and floor of comiccon. The coverage, however, is a different matter. Everyone talks about Hollywood...except the comics fans who at the show for the comics.
Mad hot love for both Peters, I have your series scheduled in my DVR, but it was pretty HILARIOUS to see Peter G asking if Comic-Con had been co-opted by Hollywood while wearing his Nordstrom's Ed Hardy T-shirt!
Gruber, they sell some really cool exclusive T's at Comic-Con printed by actual cartoon illustrators, should you ever again feel compelled to wear a "hipster low brow" T-shirt to a convention for hipster lowbrow artists!
Check out my blog on Comic-Con here:
http://bettyblog.betty-vision.com/2008/07/28/how-to-do-comiccon-if-youre-lazy-and-cheap.aspx