Season 3 ended weeks ago yet the show continues to get attention in the papers, including a best of the decade list, some creative fan fiction, and a shoutout from none other than Hillary Clinton. Check it out...

• The New York Times mentions that real-life agency McCann is having fun with its Mad Men notoriety. The agency bought space in trade publications like Adweek and Brandweek declaring "Welcome, Sterling Cooper," and created a website with video clips of their mentions on Mad Men.

• ABC News talks to Matthew Weiner in Sydney about the renaissance of quality TV; in the piece, Mad Men's creator references everything from The Sopranos to Miami Vice.

The Season 3 Finale catalyzed all sorts of analysis. But before we get to all the breakdowns, be sure to check out the link to a video of January Jones on Late Night With Jimmy Fallon, an article on Jon Hamm's cultural significance and a hilarious comparison of the show's characters to the X-Men:

•  This list in the NY Daily News is about Jon Hamm's cultural impact. The evidence? He competes with Cupid (setting up Elisabeth Moss and Fred Armisen), and revived interest in Ann-Margret.

• Before you watch January Jones on Saturday Night Live tomorrow night, you can watch her play beer pong with Jimmy Fallon.

Now that you've gotten your Mad Men finale debates out of the way (Will Betty marry Henry? Can Sal ever return? What about Suzanne Farrell?), it's time to discuss the clothes. The finale's plotlines may have been particularly shocking, but the clothes were pretty much on par -- and maybe that's exactly the point.

This season has been all about unraveling, from Betty's marriage and Peggy's morals to Don's very identity. We got a hint of this at the very beginning of the season, when the stewardess slowly peeled off every layer she wore. Now that the artifice has been stripped, we can finally see what's underneath each person -- their desires, their feelings, who matters to them (and alternately, who they're willing to abandon). That means the archetypes we've explored all season in the clothes are more important than ever.

Behind every great show is a brilliant crew. Take a look at what the production team behind Mad Men had to say about crafting the series you've come to know so well.

• "I think that generally our camera technique is transparent -- we don't want the audience to feel the camera or know it's there. " -- Christopher Manley (Director of Photography)

• "I try to think like a painter and know where to put the focus." -- Dan Bishop (Production Designer)

• "I wanted the placement of the blood to be just right, so I went down on the floor like Joan would have, and pretended to be cleaning up the blood." -- Janie Bryant (Costume Designer)

Just because Season 3 is over doesn't mean you can't still revel in all things Mad Men. Be sure to revisit the interviews from this past season to get a second look at what series creator Matthew Weiner and the show's stars had to say.

Here's a taste:

• "... the actors are so good I don't have to limit my imagination, and I never have to write around anyone." -- Matthew Weiner (Series Creator)

• "This is a guy that is not well-equipped for being emotionally available, or being mature or giving in a relationship." -- Jon Hamm (Don Draper)

• "It was my biggest fear to do the whole 'pushing out a baby' scene. Luckily we didn't have to do that, but I tried to think of something really painful." -- January Jones (Betty Draper)

You've watched then re-watched the episodes over and over again. Have a favorite? Vote in our poll then tell us your reasoning in the comments section below for a chance to win a Season 2 DVD. Can't decide? Here's a handy recap...

Episode 1: "Out of Town": Don and Sal travel to Baltimore where each makes new friends. Don discovers Sal's secret after the hotel's fire alarm goes off.

Episode 2: "Love Among the Ruins": Roger is hurt that Margaret doesn't want him at her wedding. Grandpa Gene arrives for a stay. The Sterling Cooper team preps for a Patio presentation.

Episode 3: "My Old Kentucky Home": Roger and Jane throw a party for Derby Day where both Don and Betty make new acquaintances. Joan hosts a dinner for Greg's colleagues. Peggy joins Smitty, Paul and Paul's pal Jeffrey for a smoke.

Episode 4: "The Arrangements": Sterling Cooper nabs the jai alai account. Tapped to direct the Patio commercial, a nervous Sal re-enacts the scene for his wife Kitty. Peggy searches for a new roommate. Gene collapses at the supermarket.

Episode 5: "The Fog": Struggling with Gene's death, Sally gets into a fight at school and the Drapers are called in by Miss Farrell to discuss her behavior. Duck Phillips courts Pete and Peggy for Grey Advertising. Betty gives birth to baby Gene.

Episode 6: "Guy Walks Into an Advertising Agency": Puttnam Powell & Lowe arrives to announce the new hierarchy, only to have their plans scotched. Joan celebrates her last day at the office. Conrad Hilton formally introduces himself to Don; Betty tries to broker peace between Sally and baby Gene.

Episode 7: "Seven Twenty Three": Betty gets promoted in the Junior League just in time for the reservoir project (and Henry Francis). To secure the Hilton account, Don signs a three-year contract. Two hitchikers assault Don.

Episode 8: "Souvenir": Henry helps Betty get the reservoir project tabled by the town board. Betty joins Don in Rome where she shows off her Italian.

Episode 9: "Wee Small Hours": Don begins a relationship with Suzanne Farrell; Betty strikes up a correspondence with Henry Francis. Because he's unwilling to reciprocate Lee Garner Jr.'s advances, Sal gets fired after the agency determines the Lucky Strike account is too big to lose.

Episode 10: "The Color Blue": Don meets Miss Farrell's younger brother. The agency celebrates its 40th anniversary. Paul decides Peggy is his competition, while Betty finds Don's keys and discovers the contents of his private drawer.

Episode 11: "The Gypsy and the Hobo": An old-flame of Roger looks to rekindle their romance. Don's plan to spend time with Suzanne is interrupted when Betty returns early from her trip and demands he explain the contents of the box.

Episode 12: "The Grown Ups": The assassination of John F. Kennedy and the murder of Lee Harvey Oswald rocks the office and the nation. Betty sees Henry again at Margaret Sterling's wedding then meets up with him later.

Finale: "Shut the Door. Have a Seat": Aware that PPL plans to sell Sterling Cooper to McCann, Don, Roger, Bert and Lane put their differences aside to band together and form their own agency. Betty pursues a divorce.