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Stacie Ponder - Know Your Zombies... or Else!

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It's time for me to come clean, friends: I love zombies. Really I do. Mind you, this is in large part because they frighten the bejesus out of me. They're soulless, gross and they want to tear you apart and eat you like barbeque -- what's not to love?

When I was a kid, I'd sit in my bed and stare out at our moonlit backyard thinking, "wouldn't it be scary if there were 100 zombies out there?" I'd agree with myself that yes, it would be scary, and then goodbye good night's sleep. Now that I'm all grown up and a discerning horror-movie viewer, I can be more clinical in my approach: There are all kinds of zombies out there, and a smart girl should be able to tell them apart at a glance.

Voodoo Zombies
They're old school and originated in the West Indies -- Haiti, in particular -- where local sorcerers, or bokors, resurrect the dead for fun and profit. Bokors control the zombies, using them as laborers or, I suppose, for any old purpose... wouldn't it be great to have your own personal zombie to do errands? I could finally be a lady of leisure; it's not as though zombie servants are expensive or demanding (though it didn't entirely work out in (Fido). OK, I need to become a sorceress, acquire some magic powders and ... feh, that seems like a lot of work. Maybe I should just watch The Serpent and the Rainbow.

Cannibal Zombies 1.0
We have George Romero to thank for the zombies we've come to know and love -- the shuffling, intestine-munching kind. In 1968 Romero and some friends rustled up $100,000.00 and made Night of the Living Dead, the movie that relaunched a genre. His zombies are slow but dogged... a single shuffler (or slombie) may be easy to outrun or outmaneuver, but en masse? They'll swarm that farmhouse or mall or wherever you're holed up and next thing you know, they're tearing you in half and eating your face.

Sprinting Zombies
Zack Snyder's 2004 remake of George Romero's classic Dawn of the Dead (1978) popularized this variation on the theme: the quick and the dead. They share the appetite and odor of classic shufflers, but they're blazing fast. Purists dismiss them, arguing that resurrected rotting folk, hobbled by rigor mortis, atrophied muscles and all, shouldn't be making like cheetahs. But love 'em or hate 'em, a fast zombie is an exciting zombie.

Zombies all'italiana
Sure, they're knock offs of zombinious romerous, but Italian zombies still deserve their own category. The movies of Lucio Fulci, Bruno Mattei and Andrea Bianchi expanded on Romero's by adding buckets and buckets of gore and the oatmeal-faced, hollow-eyed, worm-covered Italian undead are way more grotesque than their blue-faced American counterparts. Movies like Zombi 2 and City of the Living Dead aren't for the faint of heart or weak of stomach, but their zombies really do look as though they just crawled out of the ground.

Nazi Zombies
Remember this brief, late '70s/early '80s fad? I suppose it was inevitable: After all, what's more horrifying than taking something evil and making it worse? The cream of the crud-faced crop is undoubtedly 1977's Shock Waves, the Peter Cushing/John Carradine flick that started the trend. Most of the others were dreck (a word to the wise: steer clear of Oasis of the Zombies and Zombie Lake), but the recent Dead Snow, a Norwegian spin on the sub-genre, currently in limited release, has occasioned... ahem... a resurrection of interest in goose-stepping corpses.

Miscellaneous Zombies
The years 2002-2004 spawned all manner of undead, from musical-theater zombies (Half Alive, Z) to comic zombies (Shaun of the Dead, Fido) to high-falutin' lliterary zombies-- has your book club read Pride and Prejudice and Zombies yet? Debate rages as to what makes a real zombie -- must they be undead, or can they be infected with a virus a la 28 Days Later? -- but the walking dead and those who love them don't care. George Romero keeps cranking out " zombies as social metaphor" movies (...of the Dead opens later this year) and fright freaks keep looking for new ways to inject new life into old ghouls. In these uncertain times, it's nice to know you can count zombies to keep on keeping on and on and on...

So tell me, horror nerds: What's your favorite flavor of the undead?

Watch movies about monsters and manics on AMC!

A fan of horror movies and scary stuff, Stacie Ponder started her blog Final Girl so she'd have a platform from which she could tell everyone that, say, Friday the 13th, Part 2 rules. She leads a glamorous life, walking on the razor's edge of danger and intrigue.

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Filed under: Stacie Ponder
Tags: 28 days later, night of the living dead, shaun of the dead, zombies

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I like... I LIKE!!! I guess most horror fools fantasize (as you did, don't lie) about the Zombie 1.0 or Sprinting zombies. Let's face it: Voodoo zombies work well as individual Hatian boogymen and NO ONE can stop Italian zombies (re: The Beyond) cause they phase through walls and appear out of nowhere like Kitty Pride and shit. Nazi zombies are too long rotting, no matter how fresh their unforms look in "Dead Snow." And Misc. zombies are a sketchy, wild-card thing. I like what the Action Flick Chick had to say about the Zeds cuz it pertains to most of us rural cowboys (cowboys 1.0). Check it...

  • Action Flick Chick's Zombie Survival Guide for a Small Town
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    I still don't understand the connection between Nazi's and Zombies.

    I watched Return Of The Living Dead the other night and completely forgot that they were running zombies as well. I've seen that about half a dozen times and love it, but was never scared by it. And yet. AND YET! I had nightmares that entire night about fighting off countless zombies.

    Great write-up Stacie.

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    Relative to Piper's comment, I've found that zombie films that contain a certain amount of levity like O'Bannon's "Return" series, "Shaun of the Dead", and Jackson's "Brain Dead" have the same effect on me. I don't have many nightmares after watching a grim, deadly serious splatterfest, but a film with light-hearted breaks in the action seems to totally disarm the subconscious, and the subsequent violence hits you in a much deeper place than if you were steeling yourself for it. Then it's nightmare city.

    (Hey! Isn't "Nightmare City" an Italian zombie movie? It is!)

    So Stacie, my ideal type of zombie would have to be funny, cannibalistic, Italian, with a nice Nazi aftertaste. (Basically, Roberto Benigni's "Life is Beautiful" but with zombies.)

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