Breaking Bad's music supervisor Thomas Golubic talks about finding the perfect song and Walt's secret room for listening to R&B.

Q: How did Gnarls Barkley end up premiering a song for the finale?

A: I went to Sundance for a DJ gig and bumped into a friend. He mentioned in passing that he had just finished work on the new Gnarls Barkley record -- I didn't even know there was a new Gnarls Barkley record. So I basically reached out to the Gnarls Barkley management and ended up getting a copy of two tracks way way before the release. One of them was "Who's Gonna Save My Soul." And when I heard it, I thought: My God, the lyrics are absolutely perfect. We needed something that was going to end the series on a big note and really capture that feeling of Walt and Jesse having just got into something really really deep. It was like the heavens dropped the song in my lap.

Q: Do you ever hear a song and think: I have to get it in the show?

I'm very wary of falling in love with a song and being convinced it should go in the show. I hear songs where I think "Oh that's completely Walt", or "That's something Jesse would have," but there are many different flavors in this show. A lot of the music doesn't effect Walt or Jesse -- music of the outside world, whether it's the shoe store or the clothing store -- it's very pretty and a little bit numbing. It's very easy, soft, a solipsistic quality to the world outside of them. The world outside is a drugged up world of its own. Everything's a little bit too slick and too pleasant. Then you have this world of Walt and Jesse, which is ragged and bursting with awkward enthusiasm. It's the dichotomy of the two different worlds.

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After the live chat on Sunday, March 9, Bryan Cranston stuck around to answer more of your Breaking Bad questions. SPOILER ALERT: Some questions refer to later parts of the season.

Kathy55: Happy belated birthday!
Bryan: Thank you Kathy55. Yeah I just had a birthday on Friday [March 7]. Wasn't a big birthday, just went with my family up the coast and spent the weekend there. We just got back to Los Angeles, so I'm ready for my next job. No turkey bacon, thank God.

Moviegirl365: I love the fact they treat Walt's son normally even though he has cerebral palsy! Having the disease myself, that is awesome! Thanks to the writers and Bryan!
Bryan: I think that's really important. The actor who plays my son, RJ Mitte, has terrific instincts, great presence, he's a nice kid and he happens to have CP in real life. And we treat him on the set like we would any other actor. We don't give him special treatment, we give him the respect that we would give anybody. And that carries on into how the characters treat him on the show -- not with kid gloves, but with the expectation on him like any other teenage son: chores, homework, etc. And that was Vince Gilligan's idea and it's great.

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Oscar-winning producer Mark Johnson talks about discovering Vince Gilligan and the future of Breaking Bad in AMC's exclusive interview.

Q: How did you get involved with Breaking Bad?

A: I take full credit, with no humility at all, of discovering Vince Gilligan. I was at the University of Virginia years ago judging a screenwriting contest, and one of the scripts I read was a script called Home Fries, written by Vince Gilligan. He was probably 22 years old and had just graduated from NYU, and we just struck up a relationship and eventually we made a movie that he wrote called Wilder Napalm, and then we made Home Fries. Vince and I have just been friends and working together for such a long time. And we have a couple of movies that he's also written -- one called Two Face that we are inches away from putting together and making next year. It's a comedy about racism, and we've tried to make it over the years, but it's always scared people. I think now we've finally stumbled across a way to make it.

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